Hiway
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Four kinds of people,
one problem

You made something worth watching and someone else is standing between you and the people who want to watch it.

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Filmmakers

Today
Months of submissions, then a 50% split and a report instead of a viewer list.
On Hiway
Put it on sale this week, keep 90%, and own every name that watches it.
  • Priced SmartLinks for buy, rent or free
  • Watermarked screeners for press and juries
  • Regional pricing so the price fits the market
  • Audience CRM you can export any time
Release a title
Filmmakers
90%of every sale stays with you

Studios

Today
Rights spread across spreadsheets, screeners over WeTransfer, partner reporting that arrives late.
On Hiway
One library, one contract flow, and live numbers per title, link and partner.
  • Syndication deals partners accept online
  • Automatic revenue splits at the point of sale
  • Screener rooms with one time access codes
  • Per title analytics across every channel
Run a catalogue
Studios
41countries reached from one link

Festivals

Today
The programme ends, the audience disappears, and next year you start from nothing.
On Hiway
Ticketed streams, industry screeners and a permanent audience list you own.
  • Ticketed premieres and live events
  • Industry screener rooms for EFM and Cannes
  • Full digital programme behind one paywall
  • Every attendee captured in your CRM
Programme a season
Festivals
Year roundrevenue from the festival catalogue

Creators

Today
A platform takes up to 45% and keeps the relationship with your own subscribers.
On Hiway
Charge for the good stuff on your own link and let your community sell it too.
  • Paid links you can drop in any bio or post
  • Affiliate links for other creators, tracked per sale
  • Collections so a series sells as a bundle
  • No revenue share on your audience data
Monetise a following
Creators
Instantpayouts to your own Stripe account
Questions

Questions we get asked

How much do filmmakers keep on Hiway?

Filmmakers keep 90% of every sale. Payouts arrive in real time via your own Stripe account, not on a quarterly statement.

Do I need a distributor to use Hiway?

No. Hiway works as your primary direct-to-fan channel, or alongside a traditional distributor for the territories and rights they do not cover.

Can I send a secure screener to festivals and press?

Yes. Hiway screener rooms are forensically watermarked, protected by one-time codes and time-limited, with per-viewer logs. They have been used for slates at EFM Berlin and Cannes.

Can a festival replace Eventbrite or Vimeo with Hiway?

Yes. Hiway handles ticketed streams, digital programmes, industry screener rooms and audience CRM in one place, and the festival owns the viewer data outright rather than the platform retaining it.

Do I give up any rights to my work?

No. You keep all rights in everything you upload. That is clause 9 of our terms and conditions, not just a line in our marketing.

Can I keep my audience data if I leave?

Always. Every viewer lands in your CRM and exports to CSV whenever you want it. There is no minimum term and no exit fee.

Not quite you?

Sports, comedy, faith, education, live events. If it is video and someone will pay for it, the model is the same. See plans and pricing, the platform features, or who already runs on Hiway.

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